"Rihanna" "Bitch Better Have My Money"
Rihanna Live At Hackney Weekend 2012 HD (Full Concert / Show Completo)
Rihanna Live at iHeartRadio Festival 2012 HD (Full show):
Rihanna - Loud Tour Live at the O₂ 2011 - DVD - Full Concert HD
Website: http://
Please Call In For Pricing: 646-500-1125
Bio:
That stardom came courtesy of a
fateful meeting with a man named Evan Rogers. The New Yorker was vacationing in Barbados with his wife, a native of
the island, when someone turned him on to Rihanna. Since Rogers had spent years
producing pop artists -- including superstars like NSYNC, Christina Aguilera,
Jessica Simpson, Kelly Clarkson, Laura Pausini, and Rod Stewart -- he offered
her the opportunity to record some music after he recognized her talent and
potential. Along with Rogers' production partner, Carl Sturken (the other half
of Syndicated Rhythm Productions), Rihanna recorded some demos that sparked the
interest of the Carter Administration -- that is, newly appointed Def Jam
president Shawn "Jay-Z" Carter. This led to an audition and, in turn, an on-the-spot offer to
sign with Def Jam, which Rihanna indeed inked on the spot.
Come summer 2005, Def
Jam rolled out "Pon de Replay," the lead single of Music of the Sun,
which was produced almost entirely by Rogers and Sturken and which synthesized Caribbean rhythms and beats with urban-pop songwriting. "Pon de
Replay" caught fire almost immediately, climbing all the way to number two
on The Billboard Hot 100 and contesting the half-summer reign of Mariah Carey's
"We Belong Together" atop the chart, and this was before Music of the
Sun even had been released. The album spawned one other hit, "If It's
Lovin' That You Want," which broke the Top 40. Rihanna's follow-up album,
A Girl Like Me, was a greater success, spawning three big hits: a chart-topper
("S.O.S.") and two Top Tens ("Unfaithful," "Break It Off").
Rihanna's third album,
Good Girl Gone Bad (2007), continued her success and, more notably, signaled a
change of direction. Whereas her past two albums had been been imbalanced --
often weighed down by faceless balladry and canned Caribbean-isms -- Good Girl Gone Bad
was a first-rate dance-pop album. Moreover, it was surprisingly solid, stacked
with potential singles and easily enjoyable from beginning to end.
Collaborators included Jay-Z, Ne-Yo, Timbaland, and StarGate. The lead single,
"Umbrella," shot to number one and, for the third year in a row, was
a potential "song of the summer." By this point it was clear that
Rihanna had become one of the biggest singles artists of the mid-2000s.
Please Call For Pricing & Rider Information: 646-500-1125
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E.I.U.M.T. Booking/Offer Sheet*
We specialize in booking "hard to get" artists. Unlike your standard agency, we are Artist Managers/Consultants therefore, we are able to book ANY artist; even those with exclusive agreements. It is through our direct relationships with artists and managers that we are able to facilitate booking the artist of your choice. So, even if you have been told "No" previously it is likely that E.I.U.M.T. can book the artist that you desire.
This is a preliminary offer sheet. This offer is made pending a final agreement in writing between the artist and the purchaser regarding sound and lights for the performance. Artist fees are confidential by nature and will only be quoted upon receipt of a serious professional inquiry complete with the information below and is most often accompanied by a binder. You will be contacted by a E.I.U.M.T. representative to confirm this offer and to collect any additional information that may be needed in order to complete your contract.
Please be prepared to wire a binder prior to confirmation on artists and a substantial deposit when a National Act accepts your offer. Make sure that you list a contact person that is authorized to make a decision quickly, sign contracts and follow through with the deposit. Dates can only be held for a brief period and most are seldom held longer than 48 hours by Artist Management.
This is a preliminary offer sheet. This offer is made pending a final agreement in writing between the artist and the purchaser regarding sound and lights for the performance. Artist fees are confidential by nature and will only be quoted upon receipt of a serious professional inquiry complete with the information below and is most often accompanied by a binder. You will be contacted by a E.I.U.M.T. representative to confirm this offer and to collect any additional information that may be needed in order to complete your contract.
Please be prepared to wire a binder prior to confirmation on artists and a substantial deposit when a National Act accepts your offer. Make sure that you list a contact person that is authorized to make a decision quickly, sign contracts and follow through with the deposit. Dates can only be held for a brief period and most are seldom held longer than 48 hours by Artist Management.
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E.I.U.M.T.
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www.eiumt.com
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